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Wright to reply…
★★★★★ OUT 2 FEBRUARY CINEMAS
SEE THIS IF YOU LIKED
ADAPTATION
2002 Amasterful meta-study of failure and high anxiety. Nic Cage excels as the neurotic scribe.
JT LEROY 2018
Kristen Stewart goes all-in as the person who masqueraded as the titular, streetwise author.
SORRY TO BOTHER YOU
2018 ABlack telemarketer adopts a ‘white’ voice in a satirical takedown of corporate culture.
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TV writer Cord Jefferson (HBO’s Watchmen) makes an auspicious filmmaking debut with this wincingly acute comedy drama. Jeffrey Wright, in a rare but highly satisfying lead, plays Thelonius ‘Monk’ Ellison, an embittered literature academic whose lofty new book (a reworking of Aeschylus’
The Persians) has left publishers cold.
Instead, he has to stand by and watch fellow Black novelist Sintara Golden (Issa Rae) scoop up the plaudits for her debut novel, We’s Lives in Da Ghetto.
‘Books like this are not real. They flatten our lives,’ he bemoans, believing that novels focused on Black poverty and crime do nobody any favours - especially when an author like Golden is middle class. In a fit of pique, Monk writes a stereotype-laden rejoinder in the form of My Pafology, under the assumed name of Stagg R. Leigh (who can’t go public as he’s wanted by the police). With encouragement from his agent (John Ortiz), Monk’s book is soon picked up by a major publisher, with white executives desperate to cash in on its gritty milieu.
Based on Percival Everett’s 2001 novel Erasure, which ruthlessly satirises the book industry, American Fiction is a wild ride. Writer/director Jefferson deftly mixes laughs with low-key drama, as Monk begins dating near-neighbour Coraline (Erika Alexander) while having to deal with issues surrounding his ailing mother (Leslie Uggams). With a third act that goes full-on meta – delivering one of the best payoffs you’ll see all year – it’s hard not to swoon over a film this daring.
That said, some elements feel a little out of place. For one, the frequent cutaways to Thelonious’ hard-partying brother Cliff (Sterling K. Brown) can get a little tiresome. Then there’s the moment where My Pafology comes to life on screen, with ‘thug-life’ characters (played by Keith David and Okieriete Onaodowan) appearing in front of the author - a scene that, ironically, must’ve looked better on paper.
DIRECTOR Cord Jefferson STARRING Jeffrey Wright, Issa Rae, Adam Brody, John Ortiz, Erika Alexander, Sterling K. Brown, Leslie Uggams SCREENPLAY Cord Jefferson DISTRIBUTOR Curzon RUNNING TIME 117 mins
Luckily, such missteps are few and far between. For the most part, this is tightly written, smartly performed and frequently hilarious – notably in the scenes where Monk meets with Adam Brody’s ‘visionary’ Hollywood director, who is looking to craft an exploitation flick based on his book. And despite the slightly uneven pacing, Wright’s sturdy performance keeps things on an even keel. The result is a fiendishly sharp poke at questionable notions of Black representation in the modern world.
THE VERDICT Jeffrey Wright hits a career high in a film that’s terrifically funny, beautifully written, thoughtful and provocative