THE CREATOR 12A

What’s it all about, Alphie?

★★★★★ OUT NOW CINEMAS

Gareth Edwards’ AI sci-fi starts with a bang: in 2055, we learn, a warhead was detonated that engulfed LA and led to a ban on artificial intelligence in the US. Fifteen years on, the military remains on the hunt for Nirmata, the mysterious figure behind a weapon that could turn the tables on America.

Enter Sgt Joshua Taylor (John David Washington), dispatched to the Republic of New Asia to look for Nirmata, but more eager to track down lost love Maya (Gemma Chan). Instead, he finds a Simulant - the most advanced AI yet - in the form of a child (soulful newcomer Madeleine Yuna Voyles). Despite his hatred of AI, Joshua has no choice but to pair up with this young girl (whom he dubs Alphie) in hopes she’ll lead him to Maya.

If the bond that evolves between our two heroes isn’t as tear-jerking as the film wants it to be, the world-building certainly hits the mark. Accompanied by Hans Zimmer’s ornate score, the visuals encompassing Thai locations beautifully lensed by Oren Soffer and garnished with ace FX - offer a stunning snapshot of the future.

The pacey action – especially a scene involving monstrous-looking tanks and AI bombs that run like Usain Bolt – is also killer. True, some of the character dynamics needed more fleshing out. But with this blend of spectacle and big themes, Edwards has created something hugely original and imaginative.

THE VERDICT Even in an overcrowded AI-movie market, Edwards’ stellar sci-fi is a terrific achievement. See it on the largest, loudest screen possible.

Once a protagonist, always a protagonist